راحت علينا April 19 2024

The series title راحت علينا translated mean “its over/its too late”

" راحت علينا / its over/its too late" engages with the conventional notions of gender, the intricate dynamics of courtship, and the inexorable march towards an impending state of destruction. This painting weaves together common imagery and societal tropes that challenges societal norms and unveils the enigmatic nature of human relationships.

At its center, the canvas portrays a scene of two Arabian horses portrayed in a toy-like manner. The artist's choice of colors portray the dichotomy between masculine and feminine energies, blurring the boundaries that society traditionally imposes.

The courtship rituals within the painting manifest as an intricate web of glances, subtle gestures, and tender embraces, conveying a delicate dance of desire and vulnerability. The composition astutely captures the inherent tension, as well as the fragile beauty, that emerges from the interplay between individuals who conform to prescribed gender roles.

Yet, beneath the veneer of bright colors and passion, an undercurrent of impending ruin reverberates throughout the painting. Hints of decay and decayed car crash emerge subtly in the background, signifying the inevitability of destruction that lurks beneath even the most idyllic facades. This symbolism suggests that conventional ideas of gender and courtship, like all societal constructs, are transient and ultimately succumb to the ravages of time.

The artist invites viewers to contemplate the transience of gender norms and the temporality of courtship, urging introspection into the profound existential questions of human existence. It is a poignant testament to the complexity of human connections, the fragility of constructed identities, and the irrevocable nature of eventual disintegration.